Whew! What a whirlwind weekend of game testing at PDXAGE! After a multi-week sprint to get ready for the event, it’s nice to be able to take a brief break as I prep for the mad dash towards Kickstarter next month. For those interested about the game testing experience at the con, I through I’d share a few notes about the experience:
I was fortunate to be able to run about fifteen play sessions over the weekend, which is pretty good for a 45-60 minute game. There were a few periods where I was looking for players, but overall steady throughout. More would have been better of course, but I’m super-excited about all the tests that I did get to do.
Learning to teach, teaching to learn
As part of running all those the tests, I got better at teaching other how to play Masterwork. A game convention isn’t an environment where you spend a ton of time reviewing the rules, so I had to learn how to quickly get players up-to-speed and having fun. It really is a skill. Showing the game over and over taught me which bits are essential elements before play, which ones need some explanation, and what can be introduced progressively over time.
Repetition… repetition… repetition…
Unless you’re running a marathon Pandemic Legacy game, it’s pretty uncommon to play the same game a dozen times in a weekend. Good thing I enjoy playing Masterwork or it would have gotten old, fast. I got a little fatigued by the end, but overall it was a great experience. If you’re making a game, expect to play it a lot. A lot a lot!
Convention size matters
PDXAGE is a smaller con; perhaps 500 people playing, in one enormous room. Compared to GameStorm last month (which was 4-5x larger), this was at first a bit disappointing. However, despite the size I found plenty of players interested in trying the game. One huge benefit was that everyone could find the Masterwork table, so interested players could find it easily.
The gameplay was proven solid (whew!) and I got some helpful ideas for tweaks that will make Masterwork play even better. My players were thoughtful, generous, and extremely positive in their feedback. The biggest post-convention change will be a layout update to the Artwork card; to make it easier to use during play and more accessible for color-blind players. Given that color elements are critical to the play experience, the importance of this color-blind feedback was huge! Masterwork is designed to be interesting for avid gamers while still having mainstream appeal… so it needs to be as widely accessible as possible.
One of the core tenets of RonJohn Games is to cultivate interest in the humanities: the Visual Arts, Music, Philosophy, and Culture. I had some concerns that, because Masterwork didn’t feature zombies, cats, Cthulhu, or dungeons, I’d have trouble finding an audience. I needn’t worried. Nearly every tester expressed appreciation for these Renaissance masterpieces (and even more so about the prospect of playing with the Impressionists too (spoilers!)).
A couple of images of the action
A huge thanks to everyone who came out and gave the game a try. Your feedback made Masterwork better!